![]() Your publisher will introduce you to co-writers, pitch your song to artists who may want to cut them, and seek out sync opportunities in TV, film, and more. They’re not easy to get, but they’re worthwhile. Publishing deals are contractual agreements, usually lasting for a year or more. A music publisher will manage your catalog, collect royalties, and promote (a.k.a., administer) your songs for a cut of the profits. If you want to write radio hits for big-name artists, you’ll want a publishing deal. Let’s look at the first three of these options. You can also sell directly to fans (we’ll look at this later in this post.) Work for hire, writing specifically for a client or employer.If you really want to make money from songs that you’ve written, that happens when you: (We’ll look at some examples near the end of this post to show you how some people have found success.) It’s nearly impossible to make any money at all if you’ve only written one song. Neither of these things happen in the real world. Or they think that if they write something good, a publisher or record label will buy a single song on its merits. People think they can “sell” a song, to an artist for example, and cash in with a big payday. There’s a huge misconception, especially among non-musicians and beginners who aren’t familiar with the industry, about how songwriters make money. ![]() I’ll answer all these questions in this post. ![]() Should I pitch my song to artists or publishing companies?.If you’re a little more savvy and you’ve been in the business a while, you might wonder: Let’s say you’re not a musician at all, but a brand-new beginner. You’ve written a song that you’re proud of. ![]()
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